Collection: Magwire Art

173 products
Spidora v.2 (SM)
Spidora v.2 (SM)
Price
$60
Spiritual Advisor II (SM)
Spiritual Advisor II (SM)
Price
$60
Storyville Original version VI
Storyville Original version VI
Price
$2,200
Sold
Storyville VII (SM) - Framed
Storyville VII (SM) - Framed
Storyville VII (SM) - Framed
Price
$300
Storyville VIII (SM)
Storyville VIII (SM)
Price
$60
Street Parade
Street Parade
Price
$60
Sold
Suicidal Clowns (SM)
Suicidal Clowns (SM)
Price
$60
Suicidal Clowns 23/50
Suicidal Clowns 23/50
Price
$300
Swamp Queen (SM)
Swamp Queen (SM)
Price
$60
Swingin Swans (SM)
Swingin Swans (SM)
Price
$60
Sold
Swinging Swans of City Park 21/50
Swinging Swans of City Park 21/50
Price
$300
Turducken (SM)
Turducken (SM)
Price
$60
Vampire 99/100
Vampire 99/100
Price
$60
Viva Frida
Viva Frida
Price
$60
Sold
Voodoo Heart I (SM)
Voodoo Heart I (SM)
Price
$60
Voodoo Heart v.1 6/50
Voodoo Heart v.1 6/50
Price
$300
Walk on Guilded Splinters
Walk on Guilded Splinters
Price
$60
Wall of Death
Wall of Death
Price
$60
Weather Tree
Weather Tree
Price
$60
White Russian
White Russian
White Russian
Price
$60$350
White Russian - Uniquely Embellished 1/1
White Russian - Uniquely Embellished 1/1
Price
$1,495
White Russian Large Paper  50/50
White Russian Large Paper 50/50
Price
$300
Zoltar
Zoltar
Price
$60

My parents allowed me to explore and discover this world. But when it came to art, they didn’t want me to turn out like them—broke! Even though they exposed me to art, the only formal training they would let me have was a sign-painting course in community college. As a result, I defiantly ran away with the proverbial circus by joining a rock band. For 20 years I got lost on the open road, and then found myself in southern Louisiana with a paintbrush in my hand. Inspired by the mystery and history of New Orleans—I sunk my brush into sign painting—pairing local folklore with the music and mystique of the Crescent City. 

One of the best examples of my work is for American Horror Story Season IV “Freak Show.” The original circus acts that inspired the show inspire me, and I strive to bring dignity to them as people, not just showcase them as performers. This balance of humanity and creativity is what I'm after—as I direct the “art department” of the carnival that is my life. Not to experience it myself, but to convey the sense of nostalgia, excitement and wonder that the big top brings. You could call it a desire to create ritual and suspense. My art is hearing and passing down stories. I’m a documentarian and circus banners are my canvas.